Quote Corner
Rebecca Keys
By Lee Siegel
Published January 12, 2016
176 pages
“Delightfully perverse” —The New York Times Book Review
A trenchant examination of an iconic American figure that explores the cultural and psychological roots of his comic genius
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics.
The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.
By Anita Shapira
Published November 25, 2014
288 pages
“A beautiful portrayal” —Shimon Peres, President of Israel (2007-2014)
An insightful study of the inner life of the Zionist leader responsible for the creation of the state of Israel
David Ben-Gurion cast a great shadow during his lifetime, and his legacy continues to be sharply debated to this day. There have been many books written about the life and accomplishments of the Zionist icon and founder of modern Israel, but this new biography by eminent Israeli historian Anita Shapira strives to get to the core of the complex man who would become the face of the new Jewish nation. Shapira tells the Ben-Gurion story anew, focusing especially on the period after 1948, during the first years of statehood. As a result of her extensive research and singular access to Ben-Gurion’s personal archives, the author provides fascinating and original insights into his personal qualities and those that defined his political leadership. As Shapira writes, “Ben-Gurion liked to argue that history is made by the masses, not individuals. But just as Lenin brought the Bolshevik Revolution into the world and Churchill delivered a fighting Britain, so with Ben-Gurion and the Jewish state. He knew how to create and exploit the circumstances that made its birth possible.” Shapira’s portrait reveals the flesh-and-blood man who more than anyone else realized the Israeli state.
By Annie Cohen-Solal
Published March 10, 2015
296 pages
“Illuminating. Sublime.” —The Washington Times
A fascinating exploration of the life and work of one of America’s most famous and enigmatic postwar visual artists
Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas.
Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
By Francine Prose
Published September 29, 2015
200 pages
“Lively, complex, and inclined to shock.” —Publishers Weekly
A spirited portrait of the colorful, irrepressible, and iconoclastic American collector who fearlessly advanced the cause of modern art
One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world’s great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock.
Acclaimed best-selling author Francine Prose offers a singular reading of Guggenheim’s life that will enthrall enthusiasts of twentieth-century art, as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim’s image was filtered through the lens of insidious antisemitism.